I just wanted to take a quick moment to wish all of my readers and supporters a safe and happy new year! Keep an eye on this space for Chapter 5 news and updates.
Next week, I’ll make a few posts that look back at 2021 (to keep with tradition) examining the inspiration that kept me going through 2021 and, of course, looking at the developments with Long John over the year.
This is a drawing I did of a character by my friend and local comic creator, Kyrun Silva (of Taurus Comics), that he intends to debut shortly. It was meant as further practice for drawing on the iPad, but it turned out well enough that I sent it on to Kyrun to do whatever he wants with it as he prepares to launch a Kickstarter.
I realize every time I post a drawing from the iPad on here, I say it’s “for practice.” Though I’ve had the thing for almost two years, I don’t feel comfortable with it as a tool for creating finished artwork. Part of my issues are tactile––the float of pen across screen––another part is just unfamiliarity with the nuances of the program. I have used Photoshop since 1999 or so, so that art program has fully soaked into my cellular structure and trying to learn any other program has been Sisyphean as a result. There are workarounds to my issues. There are overlays I can put on the screen to make the pen drag feel more like paper. Obviously, the more I use Procreate the more comfortable it will become. But the distractions are enough to keep me from picking up the thing in the first place.
That being said, I do use Procreate and the iPad for professional purposes. I created all of the layouts and thumbnails for Chapter 5 using the program and other, smaller stories, and I genuinely don’t think I’ll go back. It’s perfect for that task.
For this drawing, I put the machine to the test to make as finished a drawing as I could make from scratch, digitally. I focused mostly on the figure itself, and am pleased with the line work and rendering I was able to lay down. As you can tell, I went wild with some of the effects. Starcore has a propulsion system that allows him to fly via jets/vents in the shins and calves. One of my goals was to create the sense of compressed energy, built up to launch a guy in a machine suit into the sky. It was fun to play with the menus and options that I don’t normally get to tinker with for Long John.
It was a fun drawing to do, though I can’t help but think about ways to continue tinkering with it every time I sit down to look at it. Kyrun liked it, though, which is the most important thing.
I’ve been inking the cover to the next Long John book and I’ve been trying something brand new with this.
Normally, the creation of the covers has been informal at best and haphazard at worst. The first book’s cover was me taking a drawing I did for a bookmark design that featured half of Long John’s backside. I found the original art, made a copy of it onto printer paper and finished drawing the other half. Volume 2’s cover was a digital drawing of a quick sketch I had made in a sketchbook. Volume 3 was the only one I had actually drawn and inked on full size bristol board (standard comic book paper, in other words). There was some shenanigans, however. The drawing on the 11×17 bristol is just the daguerrotype of the three Johns, including Long John in his old clothes. Then on a separate piece of smaller bristol, I drew the tear with the angry Long John peeking through. I then mixed them together in Photoshop. Volume 4’s cover was just a practice drawing I did one day. Once I finished it I thought, “Heck, that would be a great cover.”
Needless to say, while I tend to be a stickler for how the pages themselves get drawn, I’m much more liberal when it comes to creating the covers.
I’ve been working with the iPad Pro (and the drawing app, Procreate) for about a year, now, and I’m still trying to find the best way to insert it into my process. It has become my preferred method for thumbnailing pages, but it’s such a powerful tool that it seems like it could be much more useful for me.
I have been hearing for years of artists who “pencil” their pages digitally and the print them out in a light blue or red ink and ink over the printed lines. I always doubt the quality of my own equipment, so I figured that would be a good method for someone with really expensive…everything. However, I had been messing with cover ideas digitally, and even considered making the cover completely with digital means. As always, I got frustrated when trying to create a finished piece of art, but I had the worked-out sketch. So, I gave it a try.
I pencilled the cover digitally on the iPad Pro using Procreate. I was able to print them out on some unlined bristol (even if it is vellum bristol, ugh). The results were really impressive.
I was most interested to see how well the printed lines would take ink (since it had already been printed on), but it hasn’t been an issue at all (aside from the basic issue of it being vellum bristol. Again, ugh)! Honestly, this experiment may have fully changed things for me in terms of process and am excited to do more practice and experimentation with this method. Let’s just hope it scans as well as the blue pencils I use to normally pencil.
As for Chapter 5, I’m deep in the flatting stage right now (as discussed last week) and am trying to get as much done before a lot of work comes in from my day job, work that will keep me occupied for the next few weeks straight. Wish me luck!